The Big Rock Candy Mountain: Belt

The driver of an automobile on a lonely road is a set of perceptions mounted in the forehead of a mechanical monster…. The streets of Belt, a few men on the sidewalk before a poolhall, their breath white under the arc light; a block of stores, square false fronts, then shacks, weeds, sweet clover fields, the town dump, the highway again. Little towns were all alike. You could be dropped into any one of them anywhere and swear you’d lived there one time or another. (349)

Wallace Stegner. The Big Rock Candy Mountain. New York: Penguin Books, 1991.

About the Book

The Big Rock Candy Mountain

The Big Rock Candy Mountain is Stegner’s fictional telling of his troubled family’s search for wealth and happiness in the far-flung Canadian and American West. Father Bo Mason reaches for the big score—the candy mountain—in North Dakota, Saskatchewan, Montana, and Utah, including running a bootlegging operation during Prohibition. Despite his charm and intelligence, Bo fails time and again, sending his wife and two sons into despair and black humor. The novel provides a kaleidoscopic portrait of the West in the pre-Depression years while depicting a son’s coming to terms with his father’s troubled legacy.

While the settings in The Big Rock Candy Mountain clearly reference actual locales, it is understood that the book—including its places—is ultimately the product of the author’s imagination. The intent of this literary map is to enrich the reading experience by interpreting those places, not to render them literally or definitively.

About the Author

Wallace Stegner

Wallace Stegner was born in Iowa in 1909. He received his B.A. from the University of Utah and completed graduate work at Iowa. He taught at the University of Wisconsin and Harvard before settling into an enduring, influential role as creative writing mentor at Stanford University. Stegner remains a towering presence in Western American literature, having produced first-rate books in multiple genres, including Angle of Repose for which Stegner won the Pulitzer Prize in 1972. He died in Santa Fe in 1993.